s collection, the exhibition brings together dozens of never-seen-before pieces. From deceased celebrities and extinct animals to discontinued chocolate bars and destroyed buildings, his subjects are presented in a signature tongue-in-cheek and childlike style.
Transforming the gallery into a bold salon-style display, Lycett’s latest paintings reflect on memory and cultural change through humour, a striking visual approach and a distinctly Brummie perspective.
Designed to overwhelm and delight, Lycett describes the experience as a “neon graveyard.”
Find out more at ‘EVERY THING MUST GO‘.
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